In between planned garment changes, Chloe tries on this classic Enough gown by Nicole Bennett, and of coarse she looks radiant in it
Hair and Make Up by Rose Borg
Thursday, December 27, 2012
Wednesday, December 26, 2012
Making use of the day's last rays with Monique.
Urban landscape of strong bold patterns with the day's last warm rays of light,
all essential ingredients of this denim fashion story.
Labels:
denim fashion story,
location shoot,
monique wright
Friday, December 21, 2012
Season's Greetings and Happy New Year to all
Wishing you all the best for this Christmas and the Years to come. I hope that the coming year is all and more that you wish for.
One of my favourite images created in 2012, my impressionist view of Fashion on parade.
One of my favourite images created in 2012, my impressionist view of Fashion on parade.
Sunday, December 16, 2012
Sarah Shaw just down from Darwin to join Vivien's Model Management, gets some new shots together to boost her portfolio.
Studio fashion shots of Sarah Shaw strutting her stuff in one of the looks shot for her portfolio. Just a sneak peek, I'm not sure what will eventually make the cut, as I'm yet to go thru all the images from Sarah's extensive shoot, and go thru them with her booker at Viv's.
Hair and makeup by Rose Borg, and assisted by Jordan Mulligan. Sarah wears REPORTER tweed jacket, LE ROCK Classics high waisted denim jeans, and Sergio Rossi pumps.
Wednesday, December 5, 2012
Tribal Fashion shoot with Vivien's model Chloe Moo
This was my first shoot with Chloe, we put it together using some pieces that I had collected for such a story. Although it was an impromptu shoot, Chloe took to the idea with relish, and her enthusiasm got me hooked, and we have now worked together a few times. There are plenty of hot models about, but it's the drive to exell that seperates the good from great, and that's where I think Chloe is heading, and she has the team at Vivien's to help put that in place.
Saturday, December 1, 2012
Portfolio location shoot of Vivien's model Jack Tyeman goes ahead despite the weather.
Location photo shoots are always at the mercy of the weather, and as dawn was breaking it became obvious that sunshine was probably not going to be part of the mornings available light. Rather than postponing the shoot, I went ahead knowing I could pull some great stuff out with the enthusiastic models I had from Vivien's, Jack Tyeman and Chloe Moo. This is only a teaser from a very productive day, despite the rain soaked beach and depressing overcast sky. More images will follow when I get to go through them all.
Sunday, November 25, 2012
Swimwear cover shoot in Australia's great beaches with Gillian Cooper
Swimwear and Gym wear was part of the brief, a little departure from bikinis on the beach. I was looking for some energy, with strong eye contact that would engage the viewer and separate these images from the norm. Gillian's vitality and youthfull energy, along with the vibrant colours under our great aussie sun all contributed to a great days shoot.
Splashing in the surf Gillian wears Brazilfit two piece and Nike visor.
Friday, November 23, 2012
Actor's, Musicians and Model's headshots are allways a challenge.
As a professional's portraits are often the first thing people see on line, they need to make an emotional connection first up, well before the resume or blurb is read. These were shot for Alexis's music Cd cover, but will no doubt find their way into her modelling portfolio and websites as well.
Friday, November 16, 2012
Classic Vintage Beauty inspired shoot of Gillian Cooper
This beauty fashion shoot came about after I had a request from an editorial client for images inspired from past classic beauty photographs. So after some quick shopping and fiddling back at the studio, we came up with these sensual tributes to an era that has slipped away.
Monday, November 12, 2012
Vivien's model Chloe Moo just getting warmed up for another studio shoot
Keeping the makeup simple then shooting a few frames of Chloe, while letting her work the camera. The resulting images are simple yet evocative because of her sensual connection with the viewer. This worked wonders as a warm up for the tribal shoot I had planned, and helped produce the strength and energy in the images you'll see next. I'll post as soon as I've worked them up.
Sunday, November 11, 2012
Edgy, strong and crisp portrait shoot gives Alexis a totally fresh look
We were shooting for Alexis's music video cd cover and promotional material, and I decided on something stronger with a clean posterised look. This is one I've worked up and more are to follow when I've narrowed the selection down to a few hero images.
Saturday, November 10, 2012
Street Fashion that caught Gillian's eye.
Gillian Cooper, recently suggested to this vibrant visitor from Cuba, that she contact me with the view to shooting with me. Here are some of the test shots, a great start to updating and adding a local feel to her modelling portfolio.
Thursday, November 8, 2012
Viviens Models- Portfolio shoot with Chloe Moo
We shot several looks with Chloe, here I've posted the black on black story. I've lusted over this exquisite silk long sleeved top by Marc Le Bihan of France, and supplied by ARTWEAR ON QUEEN in Woollahra, this is my first story with this great piece, and my second shoot with the gorgeous and enthusiastic Chloe.
Make up and Hair was by Rose Borg, and I was assisted by Jordan Mulligan.
Labels:
australian fashion model,
chloe moo,
model wearing lace top.,
studio portfolio shoot,
viviens models
Sunday, September 30, 2012
Studio shoot a mix of textures
Nikita's first studio shoot with me was a study of texture with a cotton mesh top and my netts. I was working on getting a strong and intense look from Nikita.
Sunday, September 16, 2012
"Squeaky wheel gets the oil"
My favourite model declared herself available during these past few warm days, so as I'm not able to just sit indoors slaving over my computer while the sun shines outside, out we went. Enthusiasm can take on many different shapes, as you can see here, it can be well worth the effort to oil up. There are more of course, but you will need to wait and see. But you can be sure of at least one thing, "All that glistens can be Gold"
Some images show faces that once looked our way, I shoot for ones that can keep looking out at us.
As you can see here, her captivatingly intense look can keep our attention long after the distraction of her fit and ample physique. I like shooting with her because the resulting images withstand not only the test of time, but survive swimming in today's huge volume of images out there.
Thursday, September 13, 2012
Dumped Urban Street Fashion
Urban street fashion, Balmain style.
This great example of Contemporary Urban Art was dumped outside my studio, full to the brim. And there was Monique all dressed up and ready to take charge.
This great example of Contemporary Urban Art was dumped outside my studio, full to the brim. And there was Monique all dressed up and ready to take charge.
Sunday, September 9, 2012
Strong, Edgy and Intense Portraits was what I was after..
Portraits that carried some weight.
After a beauty shoot with Ana, I needed to shoot some more intense personal images, and at days end, we were all ripe for some stronger stuff.
Model-Ana Kingsley. Hair and Make up by Rose Borg http://beautyspotpro.com
Thursday, September 6, 2012
Swimwear on location with Gillian Cooper
Here we see Gillian not quite washed up on the rocks, still stylishly elegant in a stunning one piece swimsuit. I liked the contrast of these textured rocks and her metalic onepiece.
Sunday, September 2, 2012
Sheer French Silk Fashion fantasy
This is what I call body art, and where else to find it but at Artwear on Queen in woollahra in Sydney.
Thursday, August 30, 2012
Photographer's assistants that actually assist.
Assistants or Interns. I remember when getting into a studio and working alongside an established professional photographer was the ideal way to develop the skills needed and pick up tricks of the trade that only came with working at the sharp end with experienced people. Continually exposed to some of the daily little problems that needed creative solutions. These little gems of knowledge could include seamlessly putting a big shoot together involving many different personalities and needs of clients, stylists and talent. Learning to balance the requirements of the clients needs with often changing conditions on the day, and all within the ever shrinking budget.
Working with experienced professionals would still seem to be an ideal path for new and emerging photographers, however I see many photographers trying to find people who are sufficiently motivated to get involved. This appears to be another negative condition the Internet has highlighted and fed, amongst others. I'm referring to how today's mass communication and the flood of all things online have produced a culture of "yeah I can do that, I have a camera and photoshop"
Add to this mix the now massive stock of images available to tempt the lesser creatives to just "recreate" an image, so creating an culture of copies of copies that are copies of images and are devoid of the soul and emotive elements of the original. The obvious danger of this culture, apart from flooding our visual world with even lower grade crap, is that it inhibits original thought and perceptual development.
This difference between being a photographer and creating photographs. We can now see a sea of guys with cameras wanting to "be", rather than wanting to create or express, motivated by the desire to join a club.
Working with experienced professionals would still seem to be an ideal path for new and emerging photographers, however I see many photographers trying to find people who are sufficiently motivated to get involved. This appears to be another negative condition the Internet has highlighted and fed, amongst others. I'm referring to how today's mass communication and the flood of all things online have produced a culture of "yeah I can do that, I have a camera and photoshop"
Add to this mix the now massive stock of images available to tempt the lesser creatives to just "recreate" an image, so creating an culture of copies of copies that are copies of images and are devoid of the soul and emotive elements of the original. The obvious danger of this culture, apart from flooding our visual world with even lower grade crap, is that it inhibits original thought and perceptual development.
This difference between being a photographer and creating photographs. We can now see a sea of guys with cameras wanting to "be", rather than wanting to create or express, motivated by the desire to join a club.
Last light as winter slips away.
After shooting some sexy swimwear at one of my favourite locations, we came to the end of the day's light, but I thought I could squeeze at little bit more out of the short winter's day. With the sun gone I concentrated on the great texture of the shelly beach, and matched it up with the loose net top.
Sunday, July 1, 2012
Location search for Fashion shoot at Sydney Opera House
While wondering around with a collegue and my assistant looking for possible fresh locations at an old familiar site, Sydney Opera House, I saw the moon rise above the shells. Of coarse the house showed me yet again why it's one of my favourite Australian locations, never failing to inspire.
Wednesday, June 13, 2012
Vivid Sydney Light Sculptures
Vivid Sydney
One of the sculptures "Passage to happiness" by Sun Yu-Li caught my eye and I went back to shoot with model, Biannca Rose. I had not met Biannca, and she travelled quite a way to shoot in the freezing cold winter air. The Vivid Sydney event was packed, and this particular sculpture seemed to attract many enthusiastic kids and people photographing each other and climbing all over the exhibit. So between the maddening crowd (bodies getting in the frame, bodies getting between lens and model, clowns trying to get in the shot, photographers trying to get shots of Biannca, flashguns going off.... etc etc ) and the extreme cold, creating interesting images with Biannca was looking like a crazy idea. But we gave it a good shot and here are some of the results.
One of the sculptures "Passage to happiness" by Sun Yu-Li caught my eye and I went back to shoot with model, Biannca Rose. I had not met Biannca, and she travelled quite a way to shoot in the freezing cold winter air. The Vivid Sydney event was packed, and this particular sculpture seemed to attract many enthusiastic kids and people photographing each other and climbing all over the exhibit. So between the maddening crowd (bodies getting in the frame, bodies getting between lens and model, clowns trying to get in the shot, photographers trying to get shots of Biannca, flashguns going off.... etc etc ) and the extreme cold, creating interesting images with Biannca was looking like a crazy idea. But we gave it a good shot and here are some of the results.
My assistant and stand-in model, Michael was on hand to help with the shoot and bask in the blue.
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